Archive for the ‘Twitter’ Category

Some Highlights from #nytmuseums Twitter Chat

Thursday, March 17th, 2011

Participants in today’s hour long #nytmuseum twitter chat were pelted with tweets full of questions and great answers.  It all happened so fast that human minds and the twitter server couldn’t keep up in real time.

So I favorited as many of the tweets as I could to review later. Since @hypoallergic posted a summary of highlights here I thought I’d add my notes to create a fuller picture of the event.

Highlights from #nytmuseums twitter chat:

How can we integrate gameplay to engage visitors and prospective visitors (PerfectPlum)

Q In what ways has info/content gathered from sm made its way into the web/mobile content offered by your museum? Sandy Goldberg

Social media networks should be looked at as “relationship builders” rather than just an extension of a sales team (anthonybrown)

A combination of voices representing a museum of different social media channels is good, but consistency is the key (Rob Stein and Shelly Bernstein).

Retweeting different staffers through the main museum feed may be an answer (Museumnerd)

In response to a question about what content visitors share on social media:

We are finding the behind the scenes experience to be very valuable (AMNH)

Show us your visit as you see it! (Shelly Bernstein)

Q: Does your museum have a collections object/specimen as your SM rep? Like Mr. Blobby, or SuetheRex  http://tinyurl.com/328qtwq (Future of Museums)

@MovingimageNYC has exhibits where patrons can create something and share on Social Media.

Q How can museums best reward social “ambassadors” through shares, retweets? (henry art gallery)

Work to bring the visitor voice inside the institution at every turn (Shelly Bernstein)

Perhaps a behind-the-scenes trip/pass for opening (Jessica Faye Carter)

That’s a great idea! To invite tweeters to come to press previews! (Anulfo)

Q What would you like to see from Museums on line? Insight into exhibition decision making processes (Loni Rocchio)

Q How are your museums using social media to enrich content?

Facebook ads have delivered more response than Google adwords. (various)

I found facebook ads easier to use than google adwords. I think the target is easier to set and cost is WAY easier to manage. (Museum Secrets)

Big thread about the meaning of metrics:

Tynt is an often overlooked tool which tracks copies and pastes…we love it. Free too! www.tynt.com (The Warhol Museum)

The links we tweet from @SFMOMA are now #2 source of website treffic after Google search. Which is insane. (@origful)

Good article about Klout, metrics, etc: adage.com/u/u97KBb (@chelwhita)

Q about the use of QR codes:

QR codes optimize an effect of serendipity, discovery and surprise…powerful emotional/memory/stimulants (Len Steinbach)

Look to @mattressfactory for QR implementation that rocks (Shelly Bernstein)

Did anyone see what the Virginia Museum of Fine Art did with QR codes? Amazing! http://www.facebook.com/#!/myVMFA (Kimbell Art Museum)

In response to a tweet about an 80 yr old visitor scanning QR codes with her iPad in the gallery:

iPads do seem to be changing the game. Several of our board members have them (Brooklyn Historical Society)

I’ve always loved the idea of putting a sign w/a specific hastage by a piece in Museum & then collecting/displaying those tweets (Julie Brubaker)

Q from Rob Stein: you all agreed that its key to combo numbers and user feedback to determine overall impact?

Q5 How do your social media channels communicate w/each other? Twitter/FB.Flickr/etc (@MetEveryday)

I think the different outlets often have different constituents (museumnerd)

Our twitter followers are younger/biz-related, our FB followers tend to be moms and dads. We tailor content differently. (Children’s Museum, NH)

Important to also share different content on different platforms-keeps the convo interesting (Dia Art Foundation)

I agree that museums should lose the idea that museum content only belongs on their own site. (Rob Stein, Shelly Bernstein)

Q What is the ratio of people engaging w/ SM before, during & afeer museum/art visit? (Nancy Proctor)

Have you looked at @storify http://storify.com? It won an #sxswi competition this week. (from CCA wire)

Then by all means check out the full chat – link is in the first sentence above.

Thank You Instapaper, and Miles Davis!

Thursday, April 15th, 2010

Do you have a problem keeping up with all the links from Twitter posts? I do. But at last, I’ve found a way to read  them all – when it’s convenient, with or without an internet connection. Thank you Instapaper!

A friend recommended signing up for this service. Brilliant! I must have 50 tabs open between my Safari and Firefox browsers and they stare back at me, almost reproachfully, every time I use a browser, reminding me that I still haven’t clicked on a link I opened days ago.

Now I can finally settle in and read  them. Tonight, before I left the studio, I signed up for Instapaper on my laptop and downloaded one app that works on both my iPhone and iPad. I added the little ‘Read Later’ button to my Bookmarks Bar and added 30 articles to Instapaper. It automatically synched to my phone.

So I got on the subway, shuffled my playlist to Miles Davis and started reading the first one in the list. It happened to be about TAP, the new open source mobile tour platform developed by the wizards at the Indianapolis Museum of Art. I was having such a good time I rode right past my stop – really. All I needed was an armchair and a glass of wine.

So, thank you Instapaper. You’ve given me the gift of time, to go along with the gift of knowledge I get from all my Tweeps. Thank you all too!

#WhiBi: The Twitter Tour of the Whitney Biennial

Tuesday, March 23rd, 2010

Today I participated remotely in the Twitter Tour of the Whitney Biennial, organized by @Whitney, @WNYCculture and @cmosntah (Caroline Miranda), and led by Biennial curator Gary Carrion-Murayari. Eight winners of a contest were invited to go on the tour through the galleries and tweet about it. A bunch of us followed the tweeters, got to ask questions, add comments and participate in a strange but enjoyable experience.

What was it like? The fun part was performing an unscripted conversation about the Biennial in real time with smart people I didn’t necessarily know. We came together and formed an ad hoc little community for the event (an event community) to eagerly share and receive words from the curator, reactions to the art, and pictures. Even though there were two distinct groups – those who were at the Whitney, and those who were not, it didn’t feel hierarchical.

As remote participants we only received a small fraction of the story due to the limitations designed into Twitter. There were plenty of tweets that arrived out of chronological order, partly due to dead spots in the Museum, and partly to the differences in people’s phones, so the flow wasn’t smooth. But no one expected a typical museum tour. In fact, I’m not sure any of us knew what to expect. That was part of the excitement. I was on auto-pilot for a few minutes when I had my ear buds in, as if expecting there to be Twitter audio. I guess that’s next!

Would I do this again? Probably. Did I have fun and converse with some very interesting people? Yes!

You can follow all the comments and see all the pictures at #WhiBi. You’ll be surprised how much you find out!